CodalSearch this book — or all of Codal…⌘K
nydus/On WarPublic

Carl von Clausewitz defines war as the exercise of force to attain political objectives, unrestrained by any law other than expediency. This philosophical analysis examines the nature of conflict as a force inherent in nations, providing a foundational framework for understanding the military and political history of modern Europe.

Page 860 of 1028
Table of Contents

CHAPTER XVI. Attack on a Theatre of War without the View to a Great Decision

  1. Although there is neither the will nor the power sufficient for a great decision, there may still exist a decided view in a strategic attack, but it is directed against some secondary object. If the attack succeeds, then, with the attainment of this object the whole falls again into a state of rest and equilibrium. If difficulties to a certain extent present themselves, the general progress of the attack comes to a standstill before the object is gained. Then in its place commences a mere occasional offensive or strategic manœuvring. This is the character of most campaigns.
  1. The objects which may be the aim of an offensive of this description are:—

(a.) A strip of territory; gain in means of subsistence, perhaps contributions, sparing our own territory, equivalents in negotiations for peace—such are the advantages to be derived from this procedure. Sometimes an idea of the credit of the army is attached to it, as was perpetually the case in the wars of the French Marshals in the time of Louis XIV. It makes a very important difference whether a portion of territory can be kept or not. In general, the first is the case only when the territory is on the edge of our own theatre of war, and forms a natural complement of it. Only such portions come into consideration as an equivalent in negotiating a peace, others are usually only taken possession of for the duration of a campaign, and to be evacuated when winter begins.

860