Harry Haller’s Records

to quit the stage? Certainly, it was simpler and better. Whatever the truth of all that was said in the little book on the Steppenwolf about “suicides,” no one could forbid me the satisfaction of invoking the aid of a gas-stove or a razor or revolver, and so sparing myself this repetition of a process whose bitter agony I had had to drink often enough, surely, and to the dregs. No, in all conscience, there was no power in the world that could prevail with me to go through the mortal terror of another encounter with myself, to face another reorganisation, a new incarnation, when at the end of the road there was no peace or quiet⁠—but forever destroying the self, in order to renew the self. Let suicide be as stupid, cowardly, shabby as you please, call it an infamous and ignominious escape; still, any escape, even the most ignominious, from this treadmill of suffering was the only thing to wish for. No stage was left for the noble and heroic heart. Nothing was left but the simple choice between a slight and swift pang and an unthinkable, a devouring and endless suffering. I had played Don Quixote often enough in my difficult, crazed life, had put honour before comfort, and heroism before reason. There was an end of it!