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nydus/The Phantom of the OperaPublic

A mysterious presence terrorizes the Paris Opera.

Page 113 of 326
Table of Contents

IX

He understood that it was she and followed her:

“Is that you, Christine?” he asked, between his teeth.

The black domino turned round promptly and raised her finger to her lips, no doubt to warn him not to mention her name again. Raoul continued to follow her in silence.

He was afraid of losing her, after meeting her again in such strange circumstances. His grudge against her was gone. He no longer doubted that she had “nothing to reproach herself with,” however peculiar and inexplicable her conduct might seem. He was ready to make any display of clemency, forgiveness or cowardice. He was in love. And, no doubt, he would soon receive a very natural explanation of her curious absence.

The black domino turned back from time to time to see if the white domino was still following.

As Raoul once more passed through the great crush-room, this time in the wake of his guide, he could not help noticing a group crowding round a person whose disguise, eccentric air and gruesome appearance were causing a sensation. It was a man dressed all in scarlet, with a huge hat and feathers on the top of a wonderful death’s head. From his shoulders hung an immense red-velvet cloak, which trailed along the floor like a king’s train; and on this cloak was embroidered, in gold letters, which everyone read and repeated aloud, “Don’t touch me! I am Red Death stalking abroad!”

Then one, greatly daring, did try to touch him⁠ ⁠… but a skeleton hand shot out of a crimson sleeve and violently seized the rash one’s wrist; and he, feeling the clutch of the knucklebones, the furious grasp of Death, uttered a cry of pain and terror. When Red Death released him at last, he ran away like a very madman, pursued by the jeers of the bystanders.

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