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nydus/The Phantom of the OperaPublic
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Table of Contents

Prologue

correspondence of Christine Daaé⁠—to do as I pleased with, I was no longer able to doubt. No, the ghost was not a myth!

I have, I know, been told that this correspondence may have been forged from first to last by a man whose imagination had certainly been fed on the most seductive tales; but fortunately I discovered some of Christine’s writing outside the famous bundle of letters and, on a comparison between the two, all my doubts were removed.

I also went into the past history of the Persian and found that he was an upright man, incapable of inventing a story that might have defeated the ends of justice.

This, moreover, was the opinion of the more serious people who, at one time or other, were mixed up in the Chagny case, who were friends of the Chagny family, to whom I showed all my documents and set forth all my inferences.

In this connection, I should like to print a few lines which I received from General D⁠⸺:

Sir: I can not urge you too strongly to publish the results of your inquiry. I remember perfectly that, a few weeks before the disappearance of that great singer, Christine Daaé, and the tragedy which threw the whole of the Faubourg Saint-Germain into mourning, there was a great deal of talk, in the foyer of the ballet, on the subject of the “ghost;” and I believe that it only ceased to be discussed in consequence of the later affair that excited us all so greatly. But, if it be possible⁠—as, after hearing you, I believe⁠—to

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