Raoul learned to love the same airs that had charmed Christine’s childhood. They also both had the same calm and dreamy little cast of mind. They delighted in stories, in old Breton legends; and their favorite sport was to go and ask for them at the cottage-doors, like beggars:
“Ma’am …” or, “Kind gentleman … have you a little story to tell us, please?”
And it seldom happened that they did not have one “given” them; for nearly every old Breton grandame has, at least once in her life, seen the “korrigans” dance by moonlight on the heather.
But their great treat was, in the twilight, in the great silence of the evening, after the sun had set in the sea, when Daaé came and sat down by them on the roadside and, in a low voice, as though fearing lest he should frighten the ghosts whom he evoked, told them the legends of the land of the North. And, the moment he stopped, the children would ask for more.
There was one story that began:
“A king sat in a little boat on one of those deep, still lakes that open like a bright eye in the midst of the Norwegian mountains …”
And another:
“Little Lotte thought of everything and nothing. Her hair was golden as the sun’s rays and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her little red shoes and her fiddle, but most of all loved, when she went to sleep, to hear the Angel of Music.”
While the old man told this story, Raoul looked at Christine’s blue eyes and golden hair; and Christine thought that Lotte was very lucky to hear the Angel of Music when she went to sleep. The Angel of Music played a