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XI

A pause. Mr. Tulkinghorn looking at the law-stationer. Mr. Krook, with his mouth open, looking for somebody to speak next.

“As to his connections, sir,” says Mr. Snagsby, “if a person was to say to me, ‘Snagsby, here’s twenty thousand pound down, ready for you in the Bank of England if you’ll only name one of ’em,’ I couldn’t do it, sir! About a year and a half ago⁠—to the best of my belief, at the time when he first came to lodge at the present rag and bottle shop⁠—”

“That was the time!” says Krook with a nod.

“About a year and a half ago,” says Mr. Snagsby, strengthened, “he came into our place one morning after breakfast, and finding my little woman (which I name Mrs. Snagsby when I use that appellation) in our shop, produced a specimen of his handwriting and gave her to understand that he was in want of copying work to do and was, not to put too fine a point upon it,” a favourite apology for plain speaking with Mr. Snagsby, which he always offers with a sort of argumentative frankness, “hard up! My little woman is not in general partial to strangers, particular⁠—not to put too fine a point upon it⁠—when they want anything. But she was rather took by something about this person, whether by his being unshaved, or by his hair being in want of attention, or by what other ladies’ reasons, I leave you to judge; and she accepted of the specimen, and likewise of the address. My little woman hasn’t a good ear for names,” proceeds Mr. Snagsby after consulting his cough of consideration behind his hand, “and she considered Nemo equally the same as Nimrod. In consequence of which, she got into a habit of saying to me at meals, ‘ Mr. Snagsby, you haven’t found Nimrod any work yet!’ or ‘ Mr. Snagsby, why didn’t you give that eight and thirty Chancery folio in Jarndyce to Nimrod?’ or suchlike. And that is the way he gradually fell into job-work at our place; and that is the most I know of him except that he was a quick hand, and a hand not sparing of night-work, and that if you gave him out, say, five and forty folio on the

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