“Did your ladyship,” says Mr. Guppy, “ever happen to hear of Miss Barbary?”
“I don’t know. I think so. Yes.”
“Was Miss Barbary at all connected with your ladyship’s family?”
My Lady’s lips move, but they utter nothing. She shakes her head.
“ Not connected?” says Mr. Guppy. “Oh! Not to your ladyship’s knowledge, perhaps? Ah! But might be? Yes.” After each of these interrogatories, she has inclined her head. “Very good! Now, this Miss Barbary was extremely close—seems to have been extraordinarily close for a female, females being generally (in common life at least) rather given to conversation—and my witness never had an idea whether she possessed a single relative. On one occasion, and only one, she seems to have been confidential to my witness on a single point, and she then told her that the little girl’s real name was not Esther Summerson, but Esther Hawdon.”
“My God!”
Mr. Guppy stares. Lady Dedlock sits before him looking him through, with the same dark shade upon her face, in the same attitude even to the holding of the screen, with her lips a little apart, her brow a little contracted, but for the moment dead. He sees her consciousness return, sees a tremor pass across her frame like a ripple over water, sees her lips shake, sees her compose them by a great effort, sees her force herself back to the knowledge of his presence and of what he has said. All this, so quickly, that her exclamation and her dead condition seem to have passed away like the features of those long-preserved dead bodies sometimes opened up in tombs, which, struck by the air like lightning, vanish in a breath.
“Your ladyship is acquainted with the name of Hawdon?”