over their backs and tear out mouthfuls of their wool; but an educated, improved, developed dog who has been taught his duties and knows how to discharge them. He and Jo listen to the music, probably with much the same amount of animal satisfaction; likewise as to awakened association, aspiration, or regret, melancholy or joyful reference to things beyond the senses, they are probably upon a par. But, otherwise, how far above the human listener is the brute!
Turn that dog’s descendants wild, like Jo, and in a very few years they will so degenerate that they will lose even their bark—but not their bite.
The day changes as it wears itself away and becomes dark and drizzly. Jo fights it out at his crossing among the mud and wheels, the horses, whips, and umbrellas, and gets but a scanty sum to pay for the unsavoury shelter of Tom-all-Alone’s. Twilight comes on; gas begins to start up in the shops; the lamplighter, with his ladder, runs along the margin of the pavement. A wretched evening is beginning to close in.
In his chambers Mr. Tulkinghorn sits meditating an application to the nearest magistrate tomorrow morning for a warrant. Gridley, a disappointed suitor, has been here today and has been alarming. We are not to be put in bodily fear, and that ill-conditioned fellow shall be held to bail again. From the ceiling, foreshortened Allegory, in the person of one impossible Roman upside down, points with the arm of Samson (out of joint, and an odd one) obtrusively toward the window. Why should Mr. Tulkinghorn, for such no reason, look out of window? Is the hand not always pointing there? So he does not look out of window.
And if he did, what would it be to see a woman going by? There are women enough in the world, Mr. Tulkinghorn thinks—too many; they are at the bottom of all that goes wrong in it, though, for the matter of that, they create business for lawyers. What would it be to see a woman going by, even though she were going secretly? They are all secret. Mr. Tulkinghorn knows that very well.