He comes to a gateway in the brick wall, looks in, and sees a great perplexity of iron lying about in every stage and in a vast variety of shapes—in bars, in wedges, in sheets; in tanks, in boilers, in axles, in wheels, in cogs, in cranks, in rails; twisted and wrenched into eccentric and perverse forms as separate parts of machinery; mountains of it broken up, and rusty in its age; distant furnaces of it glowing and bubbling in its youth; bright fireworks of it showering about under the blows of the steam-hammer; red-hot iron, white-hot iron, cold-black iron; an iron taste, an iron smell, and a Babel of iron sounds.
“This is a place to make a man’s head ache too!” says the trooper, looking about him for a countinghouse. “Who comes here? This is very like me before I was set up. This ought to be my nephew, if likenesses run in families. Your servant, sir.”
“Yours, sir. Are you looking for anyone?”
“Excuse me. Young Mr. Rouncewell, I believe?”