He did not touch her, or the chair from which she had risen, but sat himself near the harp. She stood beside it for some little while, in a curious way, going through the motion of playing it with her right hand, but not sounding it. At length she sat down, and drew it to her with one sudden action, and played and sang.

I don’t know what it was, in her touch or voice, that made that song the most unearthly I have ever heard in my life, or can imagine. There was something fearful in the reality of it. It was as if it had never been written, or set to music, but sprung out of passion within her; which found imperfect utterance in the low sounds of her voice, and crouched again when all was still. I was dumb when she leaned beside the harp again, playing it, but not sounding it, with her right hand.

A minute more, and this had roused me from my trance:⁠—Steerforth had left his seat, and gone to her, and had put his arm laughingly about her, and had said, “Come, Rosa, for the future we will love each other very much!” And she had struck him, and had thrown him off with the fury of a wild cat, and had burst out of the room.