It so happened that this chair was opposite a narrow passage, which ended in the little circular room where I had seen Uriah Heep’s pale face looking out of the window. Uriah, having taken the pony to a neighbouring stable, was at work at a desk in this room, which had a brass frame on the top to hang paper upon, and on which the writing he was making a copy of was then hanging. Though his face was towards me, I thought, for some time, the writing being between us, that he could not see me; but looking that way more attentively, it made me uncomfortable to observe that, every now and then, his sleepless eyes would come below the writing, like two red suns, and stealthily stare at me for I dare say a whole minute at a time, during which his pen went, or pretended to go, as cleverly as ever. I made several attempts to get out of their way⁠—such as standing on a chair to look at a map on the other side of the room, and poring over the columns of a Kentish newspaper⁠—but they always attracted me back again; and whenever I looked towards those two red suns, I was sure to find them, either just rising or just setting.