Act third was the castle hall; and here Hagar appeared, having come to free the lovers and finish Hugo. She hears him coming, and hides; sees him put the potions into two cups of wine, and bid the timid little servant “Bear them to the captives in their cells, and tell them I shall come anon.” The servant takes Hugo aside to tell him something, and Hagar changes the cups for two others which are harmless. Ferdinando, the “minion,” carries them away, and Hagar puts back the cup which holds the poison meant for Roderigo. Hugo, getting thirsty after a long warble, drinks it, loses his wits, and, after a good deal of clutching and stamping, falls flat and dies; while Hagar informs him what she has done in a song of exquisite power and melody.
This was a truly thrilling scene, though some persons might have thought that the sudden tumbling down of a quantity of long hair rather marred the effect of the villain’s death. He was called before the curtain, and with great propriety appeared, leading Hagar, whose singing was considered more wonderful than all the rest of the performance put together.
Act fourth displayed the despairing Roderigo on the point of stabbing himself, because he has been told that Zara has deserted him. Just as the dagger is at his heart, a lovely song is sung under his window, informing him that Zara is true, but in danger, and he can save her, if he will. A key is thrown in, which unlocks the door, and in a spasm of rapture he tears off his chains, and rushes away to find and rescue his ladylove.
Act fifth opened with a stormy scene between Zara and Don Pedro. He wishes her to go into a convent, but she won’t hear of it; and, after a touching appeal, is about to faint, when Roderigo dashes in and demands her hand. Don Pedro refuses, because he is not rich. They shout and gesticulate tremendously, but cannot agree, and Roderigo is about to bear away the exhausted Zara, when the timid servant enters with a letter and a bag from Hagar, who has mysteriously disappeared.