Still he has time to divide into sections the world below him; and as he thus contemplates in part, he at length realizes as a whole the scene that is presented. The art of man never has, and never can, produce such a combination in the arrangement of the courses of vegetation. As the traveler stands at an elevation where pine-trees crow in the tropics, where a post-and-board fence incloses a field of grain, and where a storm of snow and sleet had fallen only a few hours before, he can look down upon hills and plains, one below another, each one, in the descending scale, exhibiting more and more of tropical productions, until the regions of cocoa-nuts, and bananas, and sarsaparilla, and palms, and jalap, and vanilla, are reached in his perspective. This is a specimen chart, where all the climates and productions of the world are embraced within the scope of a single glance.
It is time to re-enter the coach, and close all openings, for a dense fog is coming up from the sea, and has thrown so thick a curtain over the prospect, that the eye can not penetrate it. The long line of freight-wagons, that have served to mark the route that we have come, disappear, one after another: we ourselves are soon enveloped in darkness. With the fog has come a chill and piercing air, and the pleasure of our mountain ride is now over. Still we move on and up with little hindrance, as the road on this side of the "divide" is in good repair. But as we go down on the other side, we are impeded by freight-wagons held fast in the mud, and unable to move down-hill—it being easier to drag a wagon up an ascent than to draw it down-hill through stiff mud. An entirely different world now presents itself. We are in a fine grain-growing country. Well-cultivated fields stretch out as far as the eye can reach, with farm-houses scattered here and there, that strikingly remind the traveler of his northern home at this season of the year.
THE MAGUEY.—PULQUE.