Dorothea, on the contrary, found the house and grounds all that she could wish: the dark bookshelves in the long library, the carpets and curtains with colors subdued by time, the curious old maps and bird’s-eye views on the walls of the corridor, with here and there an old vase below, had no oppression for her, and seemed more cheerful than the casts and pictures at the Grange, which her uncle had long ago brought home from his travels—they being probably among the ideas he had taken in at one time.
To poor Dorothea these severe classical nudities and smirking Renaissance-Correggiosities were painfully inexplicable, staring into the midst of her Puritanic conceptions: she had never been taught how she could bring them into any sort of relevance with her life.
But the owners of Lowick apparently had not been travellers, and Mr. Casaubon’s studies of the past were not carried on by means of such aids.
Dorothea walked about the house with delightful emotion. Everything seemed hallowed to her: this was to be the home of her wifehood, and she looked up with eyes full of confidence to Mr. Casaubon when he drew her attention specially to some actual arrangement and asked her if she would like an alteration.
All appeals to her taste she met gratefully, but saw nothing to alter. His efforts at exact courtesy and formal tenderness had no defect for her. She filled up all blanks with unmanifested perfections, interpreting him as she interpreted the works of Providence, and accounting for seeming discords by her own deafness to the higher harmonies.
And there are many blanks left in the weeks of courtship which a loving faith fills with happy assurance.
“Now, my dear Dorothea, I wish you to favor me by pointing out which room you would like to have as your boudoir,” said Mr. Casaubon,