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XXII

The adroit artist was asking Mr. Casaubon questions about English polities, which brought long answers, and, Will meanwhile had perched himself on some steps in the background overlooking all.

Presently Naumann said⁠—“Now if I could lay this by for half an hour and take it up again⁠—come and look, Ladislaw⁠—I think it is perfect so far.”

Will vented those adjuring interjections which imply that admiration is too strong for syntax; and Naumann said in a tone of piteous regret⁠—

“Ah⁠—now⁠—if I could but have had more⁠—but you have other engagements⁠—I could not ask it⁠—or even to come again tomorrow.”

“Oh, let us stay!” said Dorothea. “We have nothing to do today except go about, have we?” she added, looking entreatingly at Mr. Casaubon. “It would be a pity not to make the head as good as possible.”

“I am at your service, sir, in the matter,” said Mr. Casaubon, with polite condescension. “Having given up the interior of my head to idleness, it is as well that the exterior should work in this way.”

“You are unspeakably good⁠—now I am happy!” said Naumann, and then went on in German to Will, pointing here and there to the sketch as if he were considering that. Putting it aside for a moment, he looked round vaguely, as if seeking some occupation for his visitors, and afterwards turning to Mr. Casaubon, said⁠—

“Perhaps the beautiful bride, the gracious lady, would not be unwilling to let me fill up the time by trying to make a slight sketch of her⁠—not, of course, as you see, for that picture⁠—only as a single study.”

Mr. Casaubon, bowing, doubted not that Mrs. Casaubon would oblige him, and Dorothea said, at once, “Where shall I put myself?”

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