It was all one flash to Dorothea—his last words—his distant bow to her as he reached the door—the sense that he was no longer there. She sank into the chair, and for a few moments sat like a statue, while images and emotions were hurrying upon her. Joy came first, in spite of the threatening train behind it—joy in the impression that it was really herself whom Will loved and was renouncing, that there was really no other love less permissible, more blameworthy, which honor was hurrying him away from. They were parted all the same, but—Dorothea drew a deep breath and felt her strength return—she could think of him unrestrainedly. At that moment the parting was easy to bear: the first sense of loving and being loved excluded sorrow. It was as if some hard icy pressure had melted, and her consciousness had room to expand: her past was come back to her with larger interpretation. The joy was not the less—perhaps it was the more complete just then—because of the irrevocable parting; for there was no reproach, no contemptuous wonder to imagine in any eye or from any lips. He had acted so as to defy reproach, and make wonder respectful.
Anyone watching her might have seen that there was a fortifying thought within her. Just as when inventive power is working with glad ease some small claim on the attention is fully met as if it were only a cranny opened to the sunlight, it was easy now for Dorothea to write her memoranda. She spoke her last words to the housekeeper in cheerful tones, and when she seated herself in the carriage her eyes were bright and her cheeks blooming under the dismal bonnet. She threw back the heavy “weepers,” and looked before her, wondering which road Will had taken. It was in her nature to be proud that he was