would have been impertinent. As on your physiognomical voyage you sail round his vast head in your jolly-boat, your noble conceptions of him are never insulted by the reflection that he has a nose to be pulled. A pestilent conceit, which so often will insist upon obtruding even when beholding the mightiest royal beadle on his throne.
In some particulars, perhaps the most imposing physiognomical view to be had of the Sperm Whale, is that of the full front of his head. This aspect is sublime.
In thought, a fine human brow is like the East when troubled with the morning. In the repose of the pasture, the curled brow of the bull has a touch of the grand in it. Pushing heavy cannon up mountain defiles, the elephant’s brow is majestic. Human or animal, the mystical brow is as that great golden seal affixed by the German emperors to their decrees. It signifies—“God: done this day by my hand.” But in most creatures, nay in man himself, very often the brow is but a mere strip of alpine land lying along the snow line. Few are the foreheads which like Shakespeare’s or Melancthon’s rise so high, and descend so low, that the eyes themselves seem clear, eternal, tideless mountain lakes; and all above them in the forehead’s wrinkles, you seem to track the antlered thoughts descending there to drink, as the Highland hunters track the snow prints of the deer. But in the great Sperm Whale, this high and mighty godlike dignity inherent in the brow is so immensely amplified, that gazing on it, in that full front view, you feel the Deity and the dread powers more forcibly than in beholding any other object in living nature. For you see no one point precisely; not one distinct feature is revealed; no nose, eyes, ears, or mouth; no face; he has none, proper; nothing but that one broad firmament of a forehead, pleated with riddles; dumbly lowering with the doom of boats, and ships, and men. Nor, in profile, does this wondrous brow diminish; though that way viewed its grandeur does not domineer upon you so. In profile, you plainly perceive that horizontal, semi-crescentic depression in the forehead’s middle, which, in man, is Lavater’s mark of genius.