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nydus/Our Mutual FriendPublic
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Table of Contents

XI

stated thus. Literature; large print, respectfully descriptive of getting up at eight, shaving close at a quarter past, breakfasting at nine, going to the City at ten, coming home at half-past five, and dining at seven. Painting and sculpture; models and portraits representing professors of getting up at eight, shaving close at a quarter past, breakfasting at nine, going to the City at ten, coming home at half-past five, and dining at seven. Music; a respectable performance (without variations) on stringed and wind instruments, sedately expressive of getting up at eight, shaving close at a quarter past, breakfasting at nine, going to the City at ten, coming home at half-past five, and dining at seven. Nothing else to be permitted to those same vagrants the Arts, on pain of excommunication. Nothing else To Be⁠—anywhere!

As a so eminently respectable man, Mr. Podsnap was sensible of its being required of him to take Providence under his protection. Consequently he always knew exactly what Providence meant. Inferior and less respectable men might fall short of that mark, but Mr. Podsnap was always up to it. And it was very remarkable (and must have been very comfortable) that what Providence meant, was invariably what Mr. Podsnap meant.

These may be said to have been the articles of a faith and school which the present chapter takes the liberty of calling, after its representative man, Podsnappery. They were confined within close bounds, as Mr. Podsnap’s own head was confined by his shirt-collar; and they were enunciated with a sounding pomp that smacked of the creaking of Mr. Podsnap’s own boots.

There was a Miss Podsnap. And this young rocking-horse was being trained in her mother’s art of prancing in a stately manner without ever getting on. But the high parental action was not yet imparted to her, and in truth she was but an undersized damsel, with high shoulders, low spirits, chilled elbows, and a rasped surface of nose, who seemed to take

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