ā€œOh there’s Ma being awful with somebody with a glass in his eye! Oh I know she’s going to bring him here! Oh don’t bring him, don’t bring him! Oh he’ll be my partner with his glass in his eye! Oh what shall I do!ā€ This time Georgiana accompanied her ejaculations with taps of her feet upon the floor, and was altogether in quite a desperate condition. But, there was no escape from the majestic Mrs. Podsnap’s production of an ambling stranger, with one eye screwed up into extinction and the other framed and glazed, who, having looked down out of that organ, as if he descried Miss Podsnap at the bottom of some perpendicular shaft, brought her to the surface, and ambled off with her. And then the captive at the piano played another ā€œset,ā€ expressive of his mournful aspirations after freedom, and other sixteen went through the former melancholy motions, and the ambler took Miss Podsnap for a furniture walk, as if he had struck out an entirely original conception.

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