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nydus/The Art of WarPublic
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ARTICLE XXXVIII.

directed its first stages, but also for the admirable fortitude and soldierly bearing of the troops who performed it. Although the retreat from Moscow was a bloody catastrophe for Napoleon, it was also glorious for him and the troops who were at Krasnoi and the Beresina,—because the skeleton of the army was saved, when not a single man should have returned. In this ever-memorable event both parties covered themselves with glory.

The magnitude of the distances and the nature of the country to be traversed, the resources it offers, the obstacles to be encountered, the attacks to be apprehended, either in rear or in flank, superiority or inferiority in cavalry, the spirit of the troops, are circumstances which have a great effect in deciding the fate of retreats, leaving out of consideration the skillful arrangements which the generals may make for their execution.

A general falling back toward his native land along his line of magazines and supplies may keep his troops together and in good order, and may effect a retreat with more safety than one compelled to subsist his army in cantonments, finding it necessary to occupy an extended position. It would be absurd to pretend that a French army retiring from Moscow to the Niemen without supplies of provisions, in want of cavalry and draft horses, could effect the movement in the same good order and with the same steadiness as a Russian army, well provided with every thing necessary, marching in its own country, and covered by an immense number of light cavalry.

There are five methods of arranging a retreat:—

The first is to march in a single mass and upon one road.

The second consists in dividing the army into two or three corps, marching at the distance of a day's march from each other, in order to avoid confusion, especially in the matériel.

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