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nydus/The Practice and Theory of BolshevismPublic

This work examines the ideological foundations and motivations of the Bolshevik movement in Russia. The author critiques the movement as a fanatical belief system that, despite its stated hopes, risks causing widespread violence and intellectual degradation.

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Table of Contents

PART I

on the subject, he grew impatient, and said: "We haven't time for a new art, any more than for a new religion." Unavoidably, although the Government favours art as much as it can, the atmosphere is one in which art cannot flourish, because art is anarchic and resistant to organization. Gorky has done all that one man could to preserve the intellectual and artistic life of Russia. I feared that he was dying, and that, perhaps, it was dying too. But he recovered, and I hope it will recover also.

FOOTNOTES:

IV ToC

ART AND EDUCATION

It has often been said that, whatever the inadequacy of Bolshevik organization in other fields, in art and in education at least they have made great progress.

To take first of all art: it is true that they began by recognizing, as perhaps no other revolutionary government would, the importance and spontaneity of the artistic impulse, and therefore while they controlled or destroyed the counter-revolutionary in all other social activities, they allowed the artist, whatever his political creed, complete freedom to continue his work. Moreover,

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