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nydus/Anahuac: Or, Mexico and the Mexicans, Ancient and ModernPublic
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CHAPTER X. TEZCUCO. MIRAFLORES. POPOCATEPETL. CHOLULA.

stamping coloured patterns upon the native cloth, and perhaps also for ornamenting vases and other articles of earthenware. Cholula used to be a famous place for making pottery, and its red-and-black ware was famous at the time of the Conquest, but the trade now seems to have left it. We were struck by observing that, though there was plenty of coloured pottery to be found in the neighbourhood of the pyramid, the pyramid itself had only fragments of uncoloured ware imbedded in its structure; which seems to prove that it was built before the art of colouring pottery was invented.

They have cut a road through one corner of the pyramid, and this cutting exposed a chamber within. Humboldt describes this chamber as roofed with blocks, each overlapping the one before, till they can be made to meet by a block of ordinary size. This is the false arch so common in Egypt and Peru, and in the ruined cities of Central America. Every child who builds houses with a box of bricks discovers it for himself. The bridge at Tezcuco, already described, is much more remarkable in its structure. Whether our inspection was careless, or whether the chamber has fallen in since Humboldt’s time, I cannot say, but we missed this peculiar roof.

There are several legends about the Pyramid of Cholula. That recorded by Humboldt on the authority of a certain Dominican friar, Pedro de los Rios, I mention—not because of its intrinsic value, which is very slight, but because it will enable us to see the way in which legends grew up under the hands of the early missionaries, who were delighted to find fragments of Scripture-history among the traditions of the Ancient Mexicans, and who seem to have taken down from the lips of their converts, as native traditions, the very Bible-stories that they had been teaching them, mixed however with other details, of which it is hard to say whether they were imagined on purpose to fill up gaps in the story, or whether they were really of native traditional origin.

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