heavens; a tenth was surmounted by a roof painted black, and profusely gilded with stars, on the outside, and incrusted with metals and precious stones within. He dedicated this to “the unknown God, the Cause of causes”63 It seems probable, from the emblem on the tower, as well as from the complexion of his verses, as we shall see, that he mingled with his reverence for the Supreme the astral worship which existed among the Toltecs.64 Various musical instruments were placed on the top of the tower, and the sound of them, accompanied by the ringing of a sonorous metal struck by a mallet, summoned the worshippers to prayers, at regular seasons.65 No image was allowed in the edifice, as unsuited to the “invisible God;” and the people were expressly prohibited from profaning the altars with blood, or any other sacrifices than that of the perfume of flowers and sweet-scented gums.
The remainder of his days was chiefly spent in his delicious solitudes of Tezcotzinco, where he devoted himself to astronomical and, probably, astrological studies, and to meditation on his immortal destiny,—giving utterance to his feelings in songs, or rather hymns, of much solemnity and pathos. An extract from