him, which on the Theban temples comprehend animals as well as men, and almost every conceivable object of use or elegant art.
The hieroglyphics are too few on the American buildings to authorize any decisive inference. On comparing them, however, with those of the Dresden Codex, probably from this same quarter of the country,86 with those on the monument of Xochicalco, and with the ruder picture-writing of the Aztecs, it is not easy to discern anything which indicates a common system. Still less obvious is the resemblance to the Egyptian characters, whose refined and delicate abbreviations approach almost to the simplicity of an alphabet. Yet the Palenque writing shows an advanced stage of the art, and, though somewhat clumsy, intimates, by the conventional and arbitrary forms of the hieroglyphics, that it was symbolical, and perhaps phonetic, in its character.87 That its mysterious import will ever be deciphered is scarcely to be expected. The language of the race who employed it, the race itself, is unknown. And it is not likely that another Rosetta stone will be found, with its trilingual inscription, to supply the means of comparison, and to guide the American Champollion in the path of discovery.