Morse inker begin to work. The tapper keeps striking the coherer and shakes the particles loose after every cohesion. If this were not done the current of A would pass continuously after cohesion had once taken place. When the key of the transmitter is pressed down, the waves follow one another very quickly, and the acquired conductivity of the coherer is only momentarily destroyed by the tap of the hammer. During the impression of a dot by the Morse inker, contact is made and broken repeatedly; but as the armature of the inker is heavy and slow to move it does not vibrate in time with the relay and tapper. Therefore the Morse instrument reproduces in dots and dashes the short and long depressions of the key at the transmitting station, while the tapper works rapidly in time with the relay. The Morse inker is shown diagrammatically. While current passes through M the armature is pulled towards it, the end P, carrying an inked wheel, rises, and a mark is made on the tape W, which is moved continuously being drawn forward off reel R by the clockwork—or electrically-driven rollers R1 R2.
SYNTONIC TRANSMISSION.
If a number of transmitting stations are sending out messages simultaneously, a jumble of signals would affect all the receivers round, unless some method were employed for rendering a receiver sensitive only to the waves intended to influence it. Also, if distinction were impossible, even with one transmitter in action its message might go to undesired stations.
There are various ways of "tuning" receivers and transmitters, but the principle underlying them all is analogous to that of mechanical vibration. If a weight is suspended from the end of a spiral spring, and given an upward blow, it bobs up and