“Is it permitted to me to reply?” answered the Preceptor, in a tone of the deepest humility, although by the question he only meant to gain an instant’s space for arranging his ideas.

“Speak, you are permitted,” said the Grand Master⁠—“speak, and say, knowest thou the capital of our holy rule⁠— De commilitonibus Templi in sancta civitate, qui cum miserrimis mulieribus versantur, propter oblectationem carnis? ” 51

“Surely, most reverend father,” answered the Preceptor, “I have not risen to this office in the Order, being ignorant of one of its most important prohibitions.”

“How comes it, then, I demand of thee once more, that thou hast suffered a brother to bring a paramour, and that paramour a Jewish sorceress, into this holy place, to the stain and pollution thereof?”

, so often sung by the Templars before engaging with earthly adversaries, was judged by Lucas most appropriate to introduce the approaching triumph, for such he deemed it, over the powers of darkness. The deep prolonged notes, raised by a hundred masculine voices accustomed to combine in the choral chant, arose to the vaulted roof of the hall, and rolled on amongst its arches with the pleasing yet solemn sound of the rushing of mighty waters.

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