In spite of the thought that was at work in Romola, telling her that this vision was no more than a dream, fed by youthful memories and ideal convictions, a strange awe had come over her.
Her mind was not apt to be assailed by sickly fancies; she had the vivid intellect and the healthy human passion, which are too keenly alive to the constant relations of things to have any morbid craving after the exceptional.
Still the images of the vision she despised jarred and distressed her like painful and cruel cries. And it was the first time she had witnessed the struggle with approaching death: her young life had been sombre, but she had known nothing of the utmost human needs; no acute suffering—no heart-cutting sorrow; and this brother, come back to her in his hour of supreme agony, was like a sudden awful apparition from an invisible world.
The pale faces of sorrow in the fresco on the opposite wall seemed to have come nearer, and to make one company with the pale face on the bed.
“Frate,” said the dying voice.
Fra Girolamo leaned down. But no other word came for some moments.
“Romola,” it said next.
She leaned forward too: but again there was silence. The words were struggling in vain.
“Fra Girolamo, give her—”
“The crucifix,” said the voice of Fra Girolamo.
No other sound came from the dying lips.