hurried straight on to the Piazza del Duomo. It was already full of movement: there were worshippers passing up and down the marble steps, there were men pausing for chat, and there were market-people carrying their burdens. Between those moving figures Romola caught a glimpse of her husband. On his way from San Marco he had turned into Nello’s shop, and was now leaning against the doorpost. As Romola approached she could see that he was standing and talking, with the easiest air in the world, holding his cap in his hand, and shaking back his freshly-combed hair. The contrast of this ease with the bitter anxieties he had created convulsed her with indignation: the new vision of his hardness heightened her dread. She recognised Cronaca and two other frequenters of San Marco standing near her husband. It flashed through her mind—“I will compel him to speak before those men.” And her light step brought her close upon him before he had time to move, while Cronaca was saying, “Here comes Madonna Romola.”
A slight shock passed through Tito’s frame as he felt himself face to face with his wife. She was haggard with her anxious watching, but there was a flash of something else than anxiety in her eyes as she said—
“Is the Frate gone beyond the gates?”
“No,” said Tito, feeling completely helpless before this woman, and needing all the self-command he possessed to preserve a countenance in which there should seem to be nothing stronger than surprise.
“And you are certain that he is not going?” she insisted.
“I am certain that he is not going.”
“That is enough,” said Romola, and she turned up the steps, to take refuge in the Duomo, till she could recover from her agitation.
Tito never had a feeling so near hatred as that with which his eyes followed Romola retreating up the steps.