She turned her eyes on him in breathless inquiry.
“I mean,” he said, answering her look, “that I have arranged for the transfer, both of the books and of the antiquities, where they will find the highest use and value. The books have been bought for the Duke of Milan, the marbles and bronzes and the rest are going to France: and both will be protected by the stability of a great Power, instead of remaining in a city which is exposed to ruin.”
Before he had finished speaking, Romola had started from her seat, and stood up looking down at him, with tightened hands falling before her, and, for the first time in her life, with a flash of fierceness in her scorn and anger.
“You have sold them?” she asked, as if she distrusted her ears.
“I have,” said Tito, quailing a little. The scene was unpleasant—the descending scorn already scorched him.
“You are a treacherous man!” she said, with something grating in her voice, as she looked down at him.
She was silent for a minute, and he sat still, feeling that ingenuity was powerless just now. Suddenly she turned away, and said in an agitated tone, “It may be hindered—I am going to my godfather.”
In an instant Tito started up, went to the door, locked it, and took out the key. It was time for all the masculine predominance that was latent in him to show itself. But he was not angry; he only felt that the moment was eminently unpleasant, and that when this scene was at an end he should be glad to keep away from Romola for a little while. But it was absolutely necessary first that she should be reduced to passiveness.