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XXII. The Prisoners

“It’s Lorenzo Tornabuoni, and one of the French noblemen who are in his house,” said Ser Cioni, in some contempt at this interruption. “He pretends to look well satisfied⁠—that deep Tornabuoni⁠—but he’s a Medicean in his heart: mind that.”

The advancing party was rather a brilliant one, for there was not only the distinguished presence of Lorenzo Tornabuoni, and the splendid costume of the Frenchman with his elaborately displayed white linen and gorgeous embroidery; there were two other Florentines of high birth in handsome dresses donned for the coming procession, and on the left-hand of the Frenchman was a figure that was not to be eclipsed by any amount of intention or brocade⁠—a figure we have often seen before. He wore nothing but black, for he was in mourning; but the black was presently to be covered by a red mantle, for he too was to walk in procession as Latin Secretary to the Ten.

Tito Melema had become conspicuously serviceable in the intercourse with the French guests, from his familiarity with Southern Italy, and his readiness in the French tongue, which he had spoken in his early youth; and he had paid more than one visit to the French camp at Signa.

The lustre of good fortune was upon him; he was smiling, listening, and explaining, with his usual graceful unpretentious ease, and only a very keen eye bent on studying him could have marked a certain amount of change in him which was not to be accounted for by the lapse of eighteen months.

It was that change which comes from the final departure of moral youthfulness⁠—from the distinct self-conscious adoption of a part in life.

The lines of the face were as soft as ever, the eyes as pellucid; but something was gone⁠—something as indefinable as the changes in the morning twilight.

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