But that thought stirred too many intricate fibres of feeling to be pursued now in her weariness. It was a time to rejoice, since help had come to Florence; and she turned into the court to tell the good news to her patients on their straw beds.
She closed the door after her, lest the bells should drown her voice, and then throwing the black drapery from her head, that the women might see her better, she stood in the midst and told them that corn was coming, and that the bells were ringing for gladness at the news.
They all sat up to listen, while the children trotted or crawled towards her, and pulled her black skirts, as if they were impatient at being all that long way off her face. She yielded to them, weary as she was, and sat down on the straw, while the little pale things peeped into her basket and pulled her hair down, and the feeble voices around her said, “The Holy Virgin be praised!”
“It was the procession!”
“The Mother of God has had pity on us!”
At last Romola rose from the heap of straw, too tired to try and smile any longer, saying as she turned up the stone steps—
“I will come by-and-by, to bring you your dinner.”
“Bless you, madonna! bless you!” said the faint chorus, in much the same tone as that in which they had a few minutes before praised and thanked the unseen Madonna.
Romola cared a great deal for that music. She had no innate taste for tending the sick and clothing the ragged, like some women to whom the details of such work are welcome in themselves, simply as an occupation. Her early training had kept her aloof from such womanly labours; and if she had not brought to them the inspiration of her deepest feelings, they would have been irksome to her.