would have perished had it been perishable. It withered away everything that was perishable. If such animal parallels were worthy of the occasion, we might say that the snake shuddered and shed a skin and went on, or even that the cat went into convulsions as it lost only one of its nine-hundred-and-ninety-nine lives. It is truer to say, in a more dignified image, that a clock struck and nothing happened; or that a bell tolled for an execution that was everlastingly postponed.
What was the meaning of all that dim but vast unrest of the twelfth century; when, as it has been so finely said, Julian stirred in his sleep? Why did there appear so strangely early, in the twilight of dawn after the Dark Ages, so deep a scepticism as that involved in urging nominalism against realism? For realism against nominalism was really realism against rationalism, or something more destructive than what we call rationalism. The answer is that just as some might have thought the Church simply a part of the Roman Empire, so others later might have thought the Church only a part of the Dark Ages. The Dark Ages ended as the Empire had ended; and the Church should have departed with them, if she had been also one of the shades of night. It was another of those spectral deaths or simulations of death. I mean that if nominalism had succeeded, it would have been as if Arianism had succeeded; it would have been the beginning of a confession that Christianity had failed. For nominalism is a far more fundamental scepticism than mere atheism. Such was the question that was openly asked as the Dark Ages broadened into that daylight that we call the modern world. But what was the answer? The answer was Aquinas in the chair of Aristotle, taking all knowledge for his province; and tens of thousands of lads, down to the lowest ranks of peasant and serf, living in rags and on crusts about the great colleges, to listen to the scholastic philosophy.
What was the meaning of all that whisper of fear that ran round the West under the shadow of Islam, and fills every old romance with incongruous images of Saracen knights swaggering in Norway or the Hebrides? Why