III

people; but this need not complicate the main truth. These more or less independent though interdependent peoples were considerably civilised already. They had a sort of heraldry; that is, decorative art used for symbolic and social purposes; each sailing the Nile under its own ensign representing some bird or animal. Heraldry involves two things of enormous importance to normal humanity; the combination of the two making that noble thing called cooperation; on which rest all peasantries and peoples that are free. The art of heraldry means independence; an image chosen by the imagination to express the individuality. The science of heraldry means interdependence; an agreement between different bodies to recognise different images; a science of imagery. We have here therefore exactly that compromise of cooperation between free families or groups which is the most normal mode of life for humanity and is particularly apparent wherever men own their own land and live on it. With the very mention of the images of bird and beast the student of mythology will murmur the word “totem” almost in his sleep. But to my mind much of the trouble arises from his habit of saying such words as if in his sleep. Throughout this rough outline I have made a necessarily inadequate attempt to keep on the inside rather than the outside of such things; to consider them where possible in terms of thought and not merely in terms of terminology. There is very little value in talking about totems unless we have some feeling of what it really felt like to have a totem. Granted that they had totems and we have no totems; was it because they had more fear of animals or more familiarity with animals? Did a man whose totem was a wolf feel like a werewolf or like a man running away from a werewolf? Did he feel like Uncle Remus about Brer Wolf or like St. Francis about his brother the wolf, or like Mowgli about his brothers the wolves? Was a totem a thing like the British lion or a thing like the British bulldog? Was the worship of a totem like the feeling of niggers about Mumbo Jumbo, or of children about Jumbo? I have never read any book of folklore, however learned, that gave me any light upon this question, which I think by far the most important one. I will