The instincts of self-forgetfulness, of passion, and of love, hiding under the trees, away from the trustees of their remorseless enemy, the “sense of property,” were holding a stealthy revel, and Soames, returning from Bayswater⁠—for he had been alone to dine at Timothy’s⁠—walking home along the water, with his mind upon that coming lawsuit, had the blood driven from his heart by a low laugh and the sound of kisses. He thought of writing to the Times the next morning, to draw the attention of the Editor to the condition of our parks. He did not, however, for he had a horror of seeing his name in print.

But starved as he was, the whispered sounds in the stillness, the half-seen forms in the dark, acted on him like some morbid stimulant. He left the path along the water and stole under the trees, along the deep shadow of little plantations, where the boughs of chestnut trees hung their great leaves low, and there was blacker refuge, shaping his course in circles which had for their object a stealthy inspection of chairs side by side, against tree-trunks, of enlaced lovers, who stirred at his approach.

Now he stood still on the rise overlooking the Serpentine, where, in full lamplight, black against the silver water, sat a couple who never moved, the woman’s face buried on the man’s neck⁠—a single form, like a carved emblem of passion, silent and unashamed.

And, stung by the sight, Soames hurried on deeper into the shadow of the trees.

In this search, who knows what he thought and what he sought? Bread for hunger⁠—light in darkness? Who knows what he expected to find⁠—impersonal knowledge of the human heart⁠—the end of his private subterranean tragedy⁠—for, again, who knew, but that each dark couple, unnamed, unnameable, might not be he and she?

But it could not be such knowledge as this that he was seeking⁠—the wife of Soames Forsyte sitting in the Park like a common wench! Such thoughts were inconceivable; and from tree to tree, with his noiseless step, he passed.