This chariot attracted young Jolyon’s attention; and suddenly, on the back seat, he recognised his Uncle James, unmistakable in spite of the increased whiteness of his whiskers; opposite, their backs defended by sunshades, Rachel Forsyte and her elder but married sister, Winifred Dartie, in irreproachable toilettes, had posed their heads haughtily, like two of the birds they had been seeing at the Zoo; while by James’ side reclined Dartie, in a brand-new frock-coat buttoned tight and square, with a large expanse of carefully shot linen protruding below each wristband.

An extra, if subdued, sparkle, an added touch of the best gloss or varnish characterized this vehicle, and seemed to distinguish it from all the others, as though by some happy extravagance⁠—like that which marks out the real “work of art” from the ordinary “picture”⁠—it were designated as the typical car, the very throne of Forsytedom.