The broker, as he entered, gave a long whistle. The art gallery took in the height of two of the stories of the house. It was shaped like a rotunda, and topped with a vast airy dome of coloured glass. Here and there about the room were glass cabinets full of bibelots, ivory statuettes, old snuff boxes, fans of the sixteenth and seventeenth centuries. The walls themselves were covered with a multitude of pictures, oils, watercolours, with one or two pastels.

But to the left of the entrance, let into the frame of the building, stood a great organ, large enough for a cathedral, and giving to view, in the dulled incandescence of the electrics, its sheaves of mighty pipes.

“Well, this is something like,” exclaimed the broker.

“I don’t know much about ’em myself,” hazarded Jadwin, looking at the pictures, “but Laura can tell you. We bought most of ’em while we were abroad, year before last. Laura says this is the best.” He indicated a large Bougereau that represented a group of nymphs bathing in a woodland pool.