chambers were frescoed in geometrical patterns, one colour laid on another. In one room was a painted border, little tents, like Indian teepees, in brilliant red.
But the really splendid thing about our city, the thing that made it delightful to work there, and must have made it delightful to live there, was the setting. The town hung like a bird’s nest in the cliff, looking off into the box canyon below, and beyond into the wide valley we called Cow Canyon, facing an ocean of clear air. A people who had the hardihood to build there, and who lived day after day looking down upon such grandeur, who came and went by those hazardous trails, must have been, as we often told each other, a fine people. But what had become of them? What catastrophe had overwhelmed them?
They hadn’t moved away, for they had taken none of their belongings, not even their clothes. Oh, yes, we found clothes; yucca moccasins, and what seemed like cotton cloth, woven in black and white. Never any wool, but sheepskins tanned with the fleece on them. They may have been mountain sheep; the mesa was full of them. We talked of shooting one for meat, but we never did. When a mountain sheep comes out on a ledge hundreds of feet above you, with his trumpet horns, there’s something noble about him—he looks like a priest. We didn’t want to shoot at them and make them shy. We liked to see them. We shot a wild cow when we wanted fresh meat.
At last we came upon one of the original inhabitants—not a skeleton, but a dried human body, a woman. She was not in the Cliff City; we found her in a little group of houses stuck up in a high arch we called the Eagle’s Nest. She was lying on a yucca mat, partly covered with rags, and she had dried into a mummy in that water-drinking air. We thought she had been murdered; there was a great wound in her side, the ribs stuck out through the dried flesh. Her mouth was open as if she were screaming, and her face, through all those years, had kept a look of