The Story Begun by Walter Hartright of Clement’s Inn, Teacher of Drawing

him, I should have put my arms round his neck, and pressed him to my bosom in a long and grateful hug! As it was, I only bounced upon my chair. My seat was on thorns, and my soul was on fire to speak but I held my tongue, and let Papa go on. ‘Perhaps you know,’ says this good man of money, twiddling his friend’s letter this way and that, in his golden fingers and thumbs, ‘perhaps you know, my dears, of a drawing-master that I can recommend?’ The three young Misses all look at each other, and then say (with the indispensable great O to begin) “O, dear no, Papa! But here is Mr. Pesca⁠—’ At the mention of myself I can hold no longer⁠—the thought of you, my good dears, mounts like blood to my head⁠—I start from my seat, as if a spike had grown up from the ground through the bottom of my chair⁠—I address myself to the mighty merchant, and I say (English phrase) ‘Dear sir, I have the man! The first and foremost drawing-master of the world! Recommend him by the post tonight, and send him off, bag and baggage (English phrase again⁠—ha!), send him off, bag and baggage, by the train tomorrow!’ ‘Stop, stop,’ says Papa; ‘is he a foreigner, or an Englishman?’ ‘English to the bone of his back,’ I answer. ‘Respectable?’ says Papa. ‘Sir,’ I say (for this last question of his outrages me, and I have done being familiar with him⁠—) ‘Sir! the immortal fire of genius burns in this Englishman’s bosom, and, what is more, his father had it before him!’ ‘Never mind,’ says the golden barbarian of a Papa, ‘never mind about his genius, Mr. Pesca. We don’t want genius in this country, unless it is accompanied by respectability⁠—and then we are very glad to have it, very glad indeed. Can your friend produce testimonials⁠—letters that speak to his character?’ I wave my hand negligently. ‘Letters?’ I say. ‘Ha! my-soul-bless-my-soul! I should think so, indeed! Volumes of letters and portfolios of testimonials, if you like!’ ‘One or two will do,’ says this man of phlegm and money. ‘Let him send them to me, with his name and address. And⁠—stop, stop, Mr. Pesca⁠—before you go to your friend, you had better take a note.’ ‘Banknote!’ I say, indignantly. ‘No banknote, if you please, till my brave Englishman has earned it first.’ ‘Banknote!’ says Papa, in a great surprise, ‘who talked of banknote? I