She did not reply—she kept her attention riveted on the music—music which she knew by memory, which she had played over and over again, in former times, without the book. I only knew that she had heard me, I only knew that she was aware of my being close to her, by seeing the red spot on the cheek that was nearest to me fade out, and the face grow pale all over.
“I am very sorry you are going,” she said, her voice almost sinking to a whisper, her eyes looking more and more intently at the music, her fingers flying over the keys of the piano with a strange feverish energy which I had never noticed in her before.
“I shall remember those kind words, Miss Fairlie, long after tomorrow has come and gone.”
The paleness grew whiter on her face, and she turned it farther away from me.
“Don’t speak of tomorrow,” she said. “Let the music speak to us of tonight, in a happier language than ours.”
Her lips trembled—a faint sigh fluttered from them, which she tried vainly to suppress. Her fingers wavered on the piano—she struck a false note, confused herself in trying to set it right, and dropped her hands angrily on her lap. Miss Halcombe and Mr. Gilmore looked up in astonishment from the card-table at which they were playing. Even Mrs. Vesey, dozing in her chair, woke at the sudden cessation of the music, and inquired what had happened.
“You play at whist, Mr. Hartright?” asked Miss Halcombe, with her eyes directed significantly at the place I occupied.
I knew what she meant—I knew she was right, and I rose at once to go to the card-table. As I left the piano Miss Fairlie turned a page of the music, and touched the keys again with a surer hand.