The outward changes wrought by the suffering and the terror of the past had fearfully, almost hopelessly, strengthened the fatal resemblance between Anne Catherick and herself. In my narrative of events at the time of my residence in Limmeridge House, I have recorded, from my own observation of the two, how the likeness, striking as it was when viewed generally, failed in many important points of similarity when tested in detail. In those former days, if they had both been seen together side by side, no person could for a moment have mistaken them one for the other⁠—as has happened often in the instances of twins. I could not say this now. The sorrow and suffering which I had once blamed myself for associating even by a passing thought with the future of Laura Fairlie, had set their profaning marks on the youth and beauty of her face; and the fatal resemblance which I had once seen and shuddered at seeing, in idea only, was now a real and living resemblance which asserted itself before my own eyes. Strangers, acquaintances, friends even who could not look at her as we looked, if she had been shown to them in the first days of her rescue from the asylum, might have doubted if she were the Laura Fairlie they had once seen, and doubted without blame.