The only events of former days which we ventured on encouraging her to recall were the little trivial domestic events of that happy time at Limmeridge, when I first went there and taught her to draw. The day when I roused those remembrances by showing her the sketch of the summerhouse which she had given me on the morning of our farewell, and which had never been separated from me since, was the birthday of our first hope. Tenderly and gradually, the memory of the old walks and drives dawned upon her, and the poor weary pining eyes looked at Marian and at me with a new interest, with a faltering thoughtfulness in them, which from that moment we cherished and kept alive. I bought her a little box of colours, and a sketchbook like the old sketchbook which I had seen in her hands on the morning that we first met. Once again⁠—oh me, once again!⁠—at spare hours saved from my work, in the dull London light, in the poor London room, I sat by her side to guide the faltering touch, to help the feeble hand. Day by day I raised and raised the new interest till its place in the blank of her existence was at last assured⁠—till she could think of her drawing and talk of it, and patiently practise it by herself, with some faint reflection of the innocent pleasure in my encouragement, the growing enjoyment in her own progress, which belonged to the lost life and the lost happiness of past days.