Although my nerves were not delicate enough to detect the odour of plebeian fingers which had offended Mr. Fairlie’s nostrils, my taste was sufficiently educated to enable me to appreciate the value of the drawings, while I turned them over. They were, for the most part, really fine specimens of English watercolour art; and they had deserved much better treatment at the hands of their former possessor than they appeared to have received.
“The drawings,” I answered, “require careful straining and mounting; and, in my opinion, they are well worth—”
“I beg your pardon,” interposed Mr. Fairlie. “Do you mind my closing my eyes while you speak? Even this light is too much for them. Yes?”
“I was about to say that the drawings are well worth all the time and trouble—”
Mr. Fairlie suddenly opened his eyes again, and rolled them with an expression of helpless alarm in the direction of the window.
“I entreat you to excuse me, Mr. Hartright,” he said in a feeble flutter. “But surely I hear some horrid children in the garden—my private garden—below?”
“I can’t say, Mr. Fairlie. I heard nothing myself.”
“Oblige me—you have been so very good in humouring my poor nerves—oblige me by lifting up a corner of the blind. Don’t let the sun in on me, Mr. Hartright! Have you got the blind up? Yes? Then will you be so very kind as to look into the garden and make quite sure?”
I complied with this new request. The garden was carefully walled in, all round. Not a human creature, large or small, appeared in any part of the sacred seclusion. I reported that gratifying fact to Mr. Fairlie.