I crossed the road, and looked at the bill in my turn. The performance announced was Lucrezia Borgia , and it was to take place that evening. The opera-glass in the Count’s hand, his careful reading of the bill, and his direction to the cabman, all suggested that he proposed making one of the audience. I had the means of getting an admission for myself and a friend to the pit by applying to one of the scene-painters attached to the theatre, with whom I had been well acquainted in past times. There was a chance at least that the Count might be easily visible among the audience to me and to anyone with me, and in this case I had the means of ascertaining whether Pesca knew his countryman or not that very night.

This consideration at once decided the disposal of my evening. I procured the tickets, leaving a note at the Professor’s lodgings on the way. At a quarter to eight I called to take him with me to the theatre. My little friend was in a state of the highest excitement, with a festive flower in his buttonhole, and the largest opera-glass I ever saw hugged up under his arm.