“You are as lovely as a Venus. You’ll cut a figure at Rouen.”

The diligence stopped at the Croix-Rouge in the Place Beauvoisine. It was the inn that is in every provincial faubourg, with large stables and small bedrooms, where one sees in the middle of the court chickens pilfering the oats under the muddy gigs of the commercial travellers⁠—a good old house, with worm-eaten balconies that creak in the wind on winter nights, always full of people, noise, and feeding, whose black tables are sticky with coffee and brandy, the thick windows made yellow by the flies, the damp napkins stained with cheap wine, and that always smells of the village, like ploughboys dressed in Sunday-clothes, has a café on the street, and towards the countryside a kitchen-garden. Charles at once set out. He muddled up the stage-boxes with the gallery, the pit with the boxes; asked for explanations, did not understand them; was sent from the box-office to the acting-manager; came back to the inn, returned to the theatre, and thus several times traversed the whole length of the town from the theatre to the boulevard.