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Book XI. I. At Grushenka’s

now,’ he says, ‘it’s the effect of their environment.’ They are afraid of the environment. He writes poetry, too, the rascal. He’s written in honor of Madame Hohlakov’s foot. Ha ha ha!”

“I’ve heard about it,” said Alyosha.

“Have you? And have you heard the poem?”

“No.”

“I’ve got it. Here it is. I’ll read it to you. You don’t know⁠—I haven’t told you⁠—there’s quite a story about it. He’s a rascal! Three weeks ago he began to tease me. ‘You’ve got yourself into a mess, like a fool, for the sake of three thousand, but I’m going to collar a hundred and fifty thousand. I am going to marry a widow and buy a house in Petersburg.’ And he told me he was courting Madame Hohlakov. She hadn’t much brains in her youth, and now at forty she has lost what she had. ‘But she’s awfully sentimental,’ he says; ‘that’s how I shall get hold of her. When I marry her, I shall take her to Petersburg and there I shall start a newspaper.’ And his mouth was simply watering, the beast, not for the widow, but for the hundred and fifty thousand. And he made me believe it. He came to see me every day. ‘She is coming round,’ he declared. He was beaming with delight. And then, all of a sudden, he was turned out of the house. Perhotin’s carrying everything before him, bravo! I could kiss the silly old noodle for turning him out of the house. And he had written this doggerel. ‘It’s the first time I’ve soiled my hands with writing poetry,’ he said. ‘It’s to win her heart, so it’s in a good cause. When I get hold of the silly woman’s fortune, I can be of great social utility.’ They have this social justification

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