began examining his bruises and scars, which had not yet disappeared.
“He’s alone,” thought Mitya, “in all probability he’s alone.”
Fyodor Pavlovitch moved away from the looking-glass, turned suddenly to the window and looked out. Mitya instantly slipped away into the shadow.
“She may be there behind the screen. Perhaps she’s asleep by now,” he thought, with a pang at his heart. Fyodor Pavlovitch moved away from the window. “He’s looking for her out of the window, so she’s not there. Why should he stare out into the dark? He’s wild with impatience.” … Mitya slipped back at once, and fell to gazing in at the window again. The old man was sitting down at the table, apparently disappointed. At last he put his elbow on the table, and laid his right cheek against his hand. Mitya watched him eagerly.
“He’s alone, he’s alone!” he repeated again. “If she were here, his face would be different.”
Strange to say, a queer, irrational vexation rose up in his heart that she was not here. > “It’s not that she’s not here,” he explained to himself, immediately, “but that I can’t tell for certain whether she is or not.” Mitya remembered afterwards that his mind was at that moment exceptionally clear, that he took in everything to the slightest detail, and missed no point. But a feeling of misery, the misery of uncertainty and indecision, was growing in his heart with every instant. “Is she here or not?” The angry doubt filled his heart, and suddenly, making up his mind, he put out his hand and softly knocked on the window frame. He knocked the signal the old man had agreed upon with