unshaken.
After the incident on the railway a certain change came over Kolya’s attitude to his mother.
When Anna Fyodorovna (Madame Krassotkin) heard of her son’s exploit, she almost went out of her mind with horror. She had such terrible attacks of hysterics, lasting with intervals for several days, that Kolya, seriously alarmed at last, promised on his honor that such pranks should never be repeated.
He swore on his knees before the holy image, and swore by the memory of his father, at Madame Krassotkin’s instance, and the “manly” Kolya burst into tears like a boy of six. And all that day the mother and son were constantly rushing into each other’s arms sobbing.
Next day Kolya woke up as “unfeeling” as before, but he had become more silent, more modest, sterner, and more thoughtful.
Six weeks later, it is true, he got into another scrape, which even brought his name to the ears of our Justice of the Peace, but it was a scrape of quite another kind, amusing, foolish, and he did not, as it turned out, take the leading part in it, but was only implicated in it. But of this later. His mother still fretted and trembled, but the more uneasy she became, the greater were the hopes of Dardanelov. It must be noted that Kolya understood and divined what was in Dardanelov’s heart and, of course, despised him profoundly for his “feelings”; he had in the past been so tactless as to show this contempt before his mother, hinting vaguely that he knew what Dardanelov was after. But from the time of the railway incident his behavior in this respect also was changed; he did not allow himself the remotest allusion to the subject