Agrafena Alexandrovna to come. For the last few days he’s been perfectly frantic expecting her. What he argues is, she is afraid of him, Dmitri Fyodorovitch (Mitya, as he calls him), ‘and so,’ says he, ‘she’ll come the back-way, late at night, to me. You look out for her,’ says he, ‘till midnight and later; and if she does come, you run up and knock at my door or at the window from the garden. Knock at first twice, rather gently, and then three times more quickly, then,’ says he, ‘I shall understand at once that she has come, and will open the door to you quietly.’ Another signal he gave me in case anything unexpected happens. At first, two knocks, and then, after an interval, another much louder. Then he will understand that something has happened suddenly and that I must see him, and he will open to me so that I can go and speak to him. That’s all in case Agrafena Alexandrovna can’t come herself, but sends a message. Besides, Dmitri Fyodorovitch might come, too, so I must let him know he is near. His honor is awfully afraid of Dmitri Fyodorovitch, so that even if Agrafena Alexandrovna had come and were locked in with him, and Dmitri Fyodorovitch were to turn up anywhere near at the time, I should be bound to let him know at once, knocking three times. So that the first signal of five knocks means Agrafena Alexandrovna has come, while the second signal of three knocks means ‘something important to tell you.’ His honor has shown me them several times and explained them. And as in the whole universe no one knows of these signals but myself and his honor, so he’d open the door without the slightest hesitation and without calling out (he is awfully afraid of calling out aloud). Well, those signals are known to Dmitri Fyodorovitch too, now.”
“How are they known? Did you tell him?