“ ‘Dear Acaris,’ cried she, ‘how happy am I in those moments, which I snatch from everything that employs me, to deliver myself up to thee. After those which I pass in thy arms, these are the sweetest of my life.—Nothing disturbs me; around me all is silence: my curtains not quite closed, let in but just as much day as is necessary for moving me to tenderness, and gazing on thee. I command my imagination: it calls thee forth, and immediately I see thee. Dear Acaris, how beautiful thou appear’st to me!—Yes, those are thy eyes, thy smile, thy mouth. Hide not that growing bosom from me—Let me kiss it—I have not sufficiently gazed on it.—Let me kiss it again. Ah! let me die on it—What fury seizes me?—Acaris, dear Acaris, where art thou?—Come then, dear Acaris. Ah! dear and tender friend, I swear to thee, that unknown sentiments have taken possession of my soul. It is filled with them, it is astonished at them, it is not able to contain them.—Flow, delightful tears, flow, and ease the ardor which devours me.—No, dear Acaris, no; that Alizali, whom thou prefer’st to me, will not love thee as I do—But I hear a noise—Ah! ’tis Acaris without doubt—Come, dear female friend, come—’
340