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nydus/The Tale of GenjiPublic

Murasaki Shikibu, a lady-in-waiting to Empress Akiko in the early eleventh century, writes this multi-volume work during her time at court. The narrative is established as a classic of Japanese literature by 1022 and features a structure comprising fifty-four chapters.

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CHAPTER IX AOI

buried in recollections and regrets with no other occupation save the ordering of masses for her soul. He did however bring himself to write a few letters, among them one to Rokujō. The Virgin Elect was already in charge of the Guardsmen of the Gate and would soon be passed on by them to the Palace-in-the-Fields. Rokujō accordingly made her daughter’s situation an excuse for sending no reply.137 He was now so weary of life and its miseries that he seriously contemplated the taking of priestly vows, and might perhaps have done so, had there not been a new bond which seemed to tie him irrevocably to the world. But stay, there was the girl Murasaki too, waiting for him in the wing of his palace. How unhappy she must have been during all this long time! That night lying all alone within his royal curtains, though watchmen were going their rounds not far away, he felt very lonely and remembering that ‘autumn is no time to lie alone,’ he sent for the sweetest voiced among the chaplains of the palace. His chanting mingled with the sounds of early dawn was indeed of almost unendurable beauty. But soon the melancholy of late autumn, the murmur of the rising wind took possession of him, and little used to lonely nights he found it hard to keep his bed till morning. Looking out he saw that a heavy mist lay over the garden beds; yet despite the mist it was clear that something was tied to the stem of a fine chrysanthemum not far away. It was a letter written on dark blue paper.138 The messenger had left it there and gone away. ‘What a charming idea!’ he was thinking when he suddenly recognized the hand. It was from Rokujō. She began by saying she did not think, having regard to her daughter’s situation, that he would be surprised at her long delay in answering his previous note. She added an acrostic poem in which, playing upon the word chrysanthemum (kiku) she told him of her distress at hearing (kiku) of his bereavement. ‘The beauty of the morning’ she ended, ‘turned my thoughts more than ever towards you and your sorrow; that is why I could not choose but answer you.’ It was written even more elegantly than usual; but he tossed it aside. Her condolences wounded him, for after what he had seen he knew that they could not be sincere.

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